(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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“Marvel船长”:友好的邻居卡罗尔丹维尔
Although a single cinematic universe Marvel and appeared earlier kinovselennoy DC, a solo film about a female character in it came out just now. In the tape "Captain marvel" (Captain…

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宝石游戏:游戏结束
今天(莫斯科时间,实际上,明天)在世界上推出了第八季和最终赛季的系列“宝座游戏”。让我们试着分析这样的原因......

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“蜘蛛侠:跨越宇宙”:一个最真实的电影漫画

The franchise “spider-Man” began its life in the sixties of the last century and for such a considerable period has grown seriously. If all began with the story of Peter Parker, then in the future radioactive spiders bit a variety of people and inhumans in parallel, restarted and simply alternative universes. It is about the diversity of spider-men and tells “spider-Man: through the universes” (Spider-man: Into the Spider-verse).

In comics major publications-DC and Marvel-the notion of parallel and alternative universes there is very long. So long ago that it is difficult to say which of the universes is still original. These universes differ from each other slightly sometimes, just one detail — for example, the sex of the character, and in other cases the difference is visible in everything.Peter Parker and spider-Man fell in love with the public, and so versions of the creature bitten by a radioactive spider began to multiply and multiply.One of the most striking was the story of miles Morales in 2011 — a dark-skinned teenager who replaced Peter Parker’s spider-Man who died in the Ultimate marvel universe. And it is miles who is the protagonist of the film adaptation of “Through the universes”.At all, the emergence of miles was social — the publishing house wanted give American teenagers with different from white color skin positive role model. The same idea is promoted by “Black Panther”. And an example, it seems to me, quite successful: miles as a whole turned out to be a diverse character, skillfully combining teenage rebelliousness, and heroic undertakings, and some childish naivety, and quite adult seriousness. Miles and his actions, his character, are easy to believe. Both in the comics and in the film.Miles lives in a wonderful full family with a policeman dad and a nurse mom, periodically runs off to his uncle, who lives in a loft with a punching bag and a fifteen-inch audio system with burdocks, goes to school for very smart or very rich children. Miles himself belongs to the first, and in the society of the second he is uncomfortable.
但当然,当然,突然存在一个放射性蜘蛛,而我们角色的生活将颠倒过来。然后有迈尔斯目睹了最令人愉快的活动和决定拯救城市。毕竟,谁会这样做,如果不是蜘蛛侠?

但一切都不那么简单:因为地下巨大的撞机,几个尺寸相互混合,并行宇宙的“蜘蛛侠”已经搬到了英里的宇宙。所以现在,好老布鲁克林里程不会单独保存:他将帮助更多成人版本的Peter Parker,这是一个来自三十岁的彼得帕克的Noir版本,他们的服装分别为Gwen Stacy,Anime Peni Parker在与猪肉演出的巨大机器人和猪蜘蛛的拥抱中。
There are three types of jokes in the film: millennial, simple and Recalling past film adaptations. Simple jokes are associated with the fact that only received the ability miles sticks to all surfaces and simply can not cope with their skills, getting into different stupid situations. The purveyor of millennial humor was an adult version of Peter Parker who fell into an existential crisis. Before entering miles’s universe, he had lain on his bed in a broken apartment, mindlessly reading friendlies, watching TV and eating pizza, trying to figure out why he even existed, disillusioned with his heroism, his marriage, and simply his life.

References to past adaptations are full — they meet the viewer from the very beginning. Neither Tobey Maguire, nor Andrew Garfield, nor the youngest kinopauchka Tom Holland, did not forget the animated film adaptations that spawned a ton of memes, and gently walked through the vast past of all the universes of spider-Man.
当然,情节很简单,我们已经看到了很多时代 - 它正在成为超级英雄,在生活中实现你的位置和所有的地方。但在“通过宇宙”中,这是非常不寻常的:而创造者本身意识到观众已经了解了关于叔叔叔叔的一切,这是一个巨大的责任和其他属性的力量。被困在宇宙中,其他蜘蛛直接发短信他说,这也是通过所有这一切,完全理解并做好了帮助。在这里,超级英雄并不是单独留下恐慌,突然出现了力量给他带来 - 他被那些处于这种情况的人所包围,谁应对。

迈尔斯,成为电影的主角,带来了一点特殊的风格 - 大凤头盒,涂鸦,空气乔丹1的“芝加哥”,索尼耳机来自额外的低音线,嘻哈占主导地位配乐。原声带与完美举行的活动匹配。音乐伴随着有趣的音频效果,旨在强调动画 - 在正常电影中看起来很奇怪,但卡通完美地适合。
但图片中最重要的是视觉系列。由索尼表演,“通过宇宙”成为一部真正的电影漫画。这是一个动画的电影,它设法完美地体现了绘制的角色 - 具有漫画中固有的所有简化和双曲化。这些字符之后是具有文本的泡沫,声音效果和尖叫声由屏幕上的跳跃字母互补,即使图像是与漫画中的相同方式绘制的。颜色明亮,多汁,酸性以好的方式,图片是多样化的,质量非常高,但同时同时不寻常。拖车在这种风格中,已经产生了很多问题,但在全米中,这几乎文字转移到屏幕看起来华丽。和复活节彩蛋以牺牲这项设法抛出。

Mare Morales和其他不同于Peter Parker Spiders的媒体的故事,屏幕上呈现出蓬勃发展,感受到了对特许经营和粉丝的喜爱。多汁的图片,经过一个简单的故事的有趣体现,现场人物,有趣的动画,不寻常的风格 - 感谢这一点,“蜘蛛侠:通过宇宙”已成为一部精彩的娱乐电影,适合那些熟悉的电影只有Peter Parker的电影版本,以及那些设法挖掘漫画的人。它没有让你感到无聊,它鼓励你仔细观察屏幕上发生的事情,甚至也许会让你思考某事。

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在票房,狗岛是一部自我教育的美国独立电影总监Wes Anderson的第二部动画电影。以他的个人艺术方式而闻名,其特征是......

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