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10关于作曲家的最佳和最差的电影

这个世界的一切都被电影覆盖,古典音乐也不例外。许多伟大作曲家的个性引起了董事的利益,这并不令人惊讶,以及其中的事实 - 佛经和佛经,天才,暴君和浪漫学。

然而,为了描绘出优秀的作曲家的个性,始终是一个挑战,特别是当有必要显示音乐制作过程时。正如一个令人难以置信的培训量,不会成为一个主要的联赛运动员的演员,所以“凯切杂志”在大屏幕上有时看起来有可疑,心律失常,以及更不可原谅的,他们的双手沿着同一方向移动,而我们的指示听到显然是相反的。尽管如此,大多数关于作曲家的电影都很上瘾,其中一些甚至可以被称为很好。记者Classical-Music.com我们在五分比例下选择了关于作曲家的10个最着名电影的选择,并将其评为5分。Wolfgang Amadeus Mozart:“Amadeus”(1984)Amadeus
我们从最着名的传记戏剧开始。不是第一个,但也许是最引人注目的之一。Composer Antonio Salieri(F. Murray Abraham)是这里的主要恶棍。Through a confession to a priest, we learn of his criminal hostility towards Mozart: Salieri admits that he is to blame for the destruction of Mozart’s health and his premature death, and that for all his adoration and devotion to God and the art of music, he will never, ever be compared to Mozart’s “giggling and frivolous” genius (Tom Hals).Yet screenwriter Peter Schaeffer conveys a genuine understanding of Amadeus ‘ genius. Salieri’s mouth reveals the greatness of such works as” the Wind Serenade”: “a Simple beginning, almost comical. The rhythm of the bassoon, the French horn — as a squeaky cart. And then suddenly, high above them, the oboe. One note hung in the air until it was picked up by the clarinet, filling the phrase with such delight… No, I’ve never heard that kind of music. There was so much longing in her, so much inexpressible sadness! I thought I heard the voice of God himself.”Score: 42. Igor Stravinsky: “Coco Chanel and Igor Stravinsky” (2009)Coco Chanel & Igor Stravinsky
对那些在Coco Chanel和Igor Stravinsky的电影中定居的男人的帽子。杰出的!这个故事首先是关于两个创意个性的会议,只有一个男人和一个女人的关系,在20多个时装设计师邀请作曲家和他的家人住在巴黎郊区的别墅里。Jan Kunen的电影从芭蕾舞“神圣春天”的首映式的娱乐开始,并从头到尾令人印象深刻。这只是疯狂的mikkelsen在Stravinsky的作用 - 有点惊喜......根据那些年的真实照片和笔记,俄罗斯作曲家被认为是小,有线和极其诙谐的。但在这部电影中,他看起来高,肌肉肌肉壮丽令人难以置信的悲惨......然而这就是他如何阐明屏幕上的Chanel.score:33. Ludwig Van Beethoven:“不朽的心爱”(1994)不朽无耻的心爱
在1827年法院。贝多芬已经死了。忘记音乐,让我们开始调查!她是谁,作曲家热爱的神秘女人是爱的?贝多芬的第一个传记者和秘书安顿·施南德勒正在寻找“不朽的甜心”,并承担侦探追查他朋友最生动的过去的关系的角色。Gary Oldman的表现是年轻人和老贝多芬 - 喜怒无常的,受到耳聋的影响 - 非常令人信服,但令人惊讶的是......不记得了。And while it’s in some ways a gift for the plot, Bernard rose’s film seems unexpectedly insipid, not to mention lacking in historical validity.The storyline that Beethoven bequeaths all his money to the “Immortal beloved” is already the first bell about the probable improbability of the story. Admittedly, there is nothing wrong with a modicum of poetic license, but a little more convincing evidence could turn this film from mediocrity into something memorable.Score: 24. Frederick Delius: “Delius: A Song Of Summer” (1968)Omnibus. Song of Summer
用“Ken Russell Biopic”的话来唤起与裸露的格伦卡杰克逊在汽车的地板上摆动的联想,或者罗杰·达尔特雷压在五颜六色的风景背景(下文中关于Tchaikovsky和Liszt的文章中)?If so, “A song of summer” could be a disappointment (or quite the opposite), as Eric Fenby’s five years of staying and caring for the aging, strange Delius at his estate in France, the British Director conveys in a restrained, tasteful, sometimes charming manner, as if Fenby himself were writing the script.In the role of the blind, paralyzed and yet unsympathetic Delius, Max Adrian is simply magnificent, while Christopher gable as the naive Fenby is lost by virtue of his unforgivable accent. Then David Collins (Percy Granger) appears with his invariably high timbre and assures Fenby that after living with Delius he will never want to hear the music of the dying composer again. “Song of summer,” on the other hand, should make you want to hear more.Score: 55. Pyotr Ilyich Tchaikovsky: “music Lovers” (1971)The Music Lovers
并又称Ken Russell(它的替代名称 - “音乐爱好者”)。Tchaikovsky,一个红发理查德张伯伦,一个带有倾斜的胡子,他的虚构情人比喻在冰幻灯片上傻瓜,喝酒并在脚下摔倒在Tchaikovsky的房子之前。然后 - 他的钢琴协奏曲的首映式1由Chamberlain在爱情的凝视下进行(亚历山德拉Tchaikovsky,远离姐妹激情),他未来的情妇von Meck和Antonina(格伦卡杰克逊),他期待着一个不幸的婚姻。Nikolai Rubinstein是莫斯科音乐学院(Max Adrian)的主管,公开而且以一种相当荒谬的方式表达了对Tchaikovsky的工作钦佩。富含困难。格伦达杰克逊非常夸张,你不再注意到Tchaikovsky对Antonina的无意的残忍。火车车的臭名昭着的场景,当Tchaikovsky Antonina被遗弃时,试图勾引他的竞争对手Rimsky-Korsakov ......在覆盖“Kismet”博登。我的天啊!
得分:26.Franz Liszt:“Listomania”(1975年)Lisztomania
如果你想知道Ken Russell的职业生涯如何达到高潮,请看看“列表中的列表”。Following the success of the rock Opera Tommy (also 1975), Russell takes Roger Daltrey of the Who as Franz Liszt in an attempt to compare the effect produced by Liszt’s playing on 19th-century ladies with the influence of rock idols on modern youth.Russell’s sheet embodies the qualities of a rock star of the 70s; complete the image of costumed groupies and backup dancing. The plot is boldly based on the fictional story of the writer Marie d’agou about her affair with the composer.

该项目耸人听闻地超越了甚至导演的期望:纳粹,天主教徒,“华丽”服饰和淫秽的道具。In addition to the above, specific humor: take, for example, the crazy scene with eating a banana and a battle with swords, where Liszt duels with count d’agou, or the scene with Richard Wagner (Paul Nicholas), who returns to life in the form of Hitler-like monster Frankenstein with the help of the Scandinavian God performed by Rick Wakeman.Score: 27. Frederick Chopin: Impromptu (1991)Impromptu
长发休·格兰特 - 浪漫喜剧的主角。听起来有点熟?是的,即使他描绘了19世纪的伟大作曲家之一,难以注意到与“诺丁山”或“四个婚礼和一个葬礼”的画作的相似之处。However, the resemblance is superficial enough: Chopin’s refined and restrained genius is not a classic Hollywood hero.It was his musical talent that captivated the famous writer, bearing the pseudonym George sand (Judy Davis), famous for numerous lovers and the manner of dressing like a man. And she is determined to seduce Chopin at a reception at a country house in France.Just look at the performance of Emma Thompson as the Duchess d’antan, who certainly wants to become part of the creative Bohemia! Yes, the picture can not boast of historical authenticity, but it has enough love confessions, betrayals, duels, games of croquet and Amateur theatrical productions to make it really fascinating.Score: 38. Giacomo Puccini: “Puccini” (1984) Puccini
黎明。Puccini(Robert Stevens)在他的船上在Torre del Lago湖狩猎鸭子,当克里奇斯如何肆虐他的“波西米亚”和“蝴蝶”的声音讲述时。与下面的关系并不明显 - 当我们详细观察Puccini妻子Elvira的情绪状态。意识到她的丈夫的爱情事务,她相信他正在与女仆和她诽谤她的事件,这导致悲惨的后果。这一场景与托尼帕尔默纪录片的碎片交织在一起,由Puccini的最终歌剧传统指导。

这部电影导致了解,歌剧在作曲家的生命中是这种悲剧发作的直接结果,但只有帕尔默觉得有必要关注这一点,将Puccini的对话与村民们在葬礼的关键场景中插入。然后 - 啊,所以这是它 - 我们终于抓住了Puccini的批评的声音言论的主要思想!好像帕尔默已经展示了对自己工作的无污染的评论。
得分:49.Maren Mare:“世界上的所有早晨”(1991年)Tous Les Matins du Monde

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